Library
Useful even if you never book through us.
An agency that represents everyone cannot publish an honest framework for evaluating performers — it would disqualify half its own roster. We can, because the framework is the product.
Event inspiration · 7 min
Does a luxury wedding actually need entertainment?
Not always — and when it does, it is almost never a show. The job is the gaps: the drinks hour, the turn between ceremony and dinner, the lull the photographs are taken in.
Performer insight · 6 min
What makes entertainment work in a luxury hotel?
Consistency, not brilliance. A guest who returns monthly judges the property on the weakest night they saw — so the residency performer's real skill is being excellent the ninth week, not the first.
Guides · 9 min
How do I choose a performer when I cannot judge the craft?
Stop trying to judge the performance and start judging the evidence: verifiable history with buyers like you, contactable references, and how they behave before you have paid them anything.
Guides · 7 min
What should entertainment cost for a corporate event?
Most corporate briefs land between €2,000 and €8,000 for the performer. What moves the number is rarely talent — it is duration, format, travel, and how much risk the booking carries.
Performer insight · 8 min
What actually goes wrong when you book entertainment?
Almost never the performance. It is timing, requirements that arrived too late, and nobody having agreed who is responsible when the running order slips.
Guides · 6 min
Which questions should I ask an entertainment agency?
Four: what are your selection criteria, who applies them, has anyone ever been removed, and what do you keep from the fee. Most agencies cannot answer the fourth.
Event planning · 5 min
Close-up or stage: which is right for my event?
Ask what the room is doing. Standing and talking wants close-up; seated and attentive wants stage. Booking the wrong one is the most common avoidable mistake in this category.
Trends · 6 min
Entertainment for rooms where nobody shares a first language
Visual close-up and mentalism travel better than comedy or anything verbal. The constraint is not translation — it is that timing-based material depends on a shared reference the room may not have.