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A performer on stage seen from behind, facing a full ballroom of seated guests under chandeliers.

For performers

We never take a cut of your fee.

You are quoted at your band and paid in full. The buyer pays us separately for judgment and accountability. In a market where representation is funded by compressing performer pay, this is not a better deal — it is a different relationship.

A performer on stage seen from behind, facing a full ballroom of seated guests under chandeliers.
Three things we will never tell you
  • Joining does not guarantee briefs.

    Some months there will be none for you. We match on fit against a specific brief — never on seniority, never on who is owed work.

  • Nothing you can pay for improves your chances.

    Not membership, not training, not anything. There is no payment path to placement or to Verified, and there never will be.

  • Verified cannot be bought, accelerated or bundled.

    It is issued from observed evidence against published criteria, and it can be revoked.

What we require

Five gates. Most applicants do not pass them.

The criteria are published in full before you apply, so you can assess yourself against them and decide not to apply yet. That is a successful outcome, not a lost one.

  1. Self-selection

    The criteria are published before anyone applies. Most of the wrong applicants remove themselves, which costs us nothing to operate and is the strongest filter available.

  2. Structured application

    Verifiable performance history with real buyers and dates. Two contactable buyer references. Current public liability insurance. Live footage with a real audience — not a studio reel, because the audience's face is the evidence and the performer's edit is the claim.

  3. Evidence check

    References contacted against a fixed question set. Insurance verified. History spot-checked against venues. How a performer behaves while being assessed is itself recorded, because it is the closest available preview of how they will behave with you.

  4. Craft assessment

    Assessed by someone who performs at the level being judged. This is the one gate where subjective judgment is not only permitted but required — and it is why MAGIQ launched deep in magic rather than broad across categories.

  5. Conversation

    Not an interview. How they think about the buyer, and whether they treat your requirements as the job or as an inconvenience. That is usually clear within ten minutes and predicts more than the showreel does.

What you get
  • Your fee, whole

    Quoted at your agreed band and paid in full, on terms.

  • Briefs you would never see

    From buyers who would not have found you, at budgets your own enquiries do not reach.

  • A reputation that compounds

    In a market with no memory, every booking starts you from zero. Here, every observed placement accumulates as evidence under your name and travels with it.

  • Non-exclusive representation

    Keep your own bookings and any other representation. We protect briefs we originate for 18 months; everything else is yours.

  • Someone else carrying the risk

    We hold the buyer relationship and the accountability — the part most performers are least equipped to provide, and the part buyers are actually paying for.

Roster intake · 2026

4places remaining of 8 this year. 4 filled.

The cap is a consequence of how assessment works, not a sales device. Every applicant is judged by someone who performs at the level being assessed, and placements must be observed before anyone reaches Verified — which limits how many performers can be taken on in a year however many apply. Applications are reviewed monthly.

Who should not apply

If being assessed feels like an insult, this is the wrong company — and it is better for both of us to establish that in the first conversation rather than the fifth.