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Event planning · 6 min read

How far in advance should I book entertainment?

Eight to twelve weeks for most events, six months for a fixed-date gala or wedding — and if you are inside two weeks, call rather than write, because the shortlist changes shape at that point.

Matteo Cammisa

Founder, MAGIQ. Twenty years performing close-up and stage magic.

A fanned deck beside a negroni on dark marble, lit by a single lamp.

The honest answer has less to do with availability than everyone assumes, and more to do with what disappears as the date approaches. A good performer can often be found late. What cannot be recovered late is choice — and choice is where the quality of a booking is actually decided.

What the timeline actually buys you

Lead timeWhat is still possible
Six monthsEverything. First-choice performers on peak dates, adapted material, technical planning folded into the venue's own schedule.
Eight to twelve weeksA full shortlist on most dates. This is the window most corporate bookings should live in.
Three to six weeksA real choice on ordinary dates; a narrowing one on Fridays, Saturdays and December.
Under two weeksOne or two names rather than a shortlist, and a premium for the rearranged week. Honest, workable, but no longer a considered choice.

The dates that behave differently

December is its own market. Peak-season Saturdays sell out months ahead for the performers worth having, because every company in the city is holding its party in the same three weeks. A December gala booked in September is choosing from a full field; the same brief in November is choosing from what remains.

The same is true, less visibly, of wedding season Saturdays and of any date attached to an industry calendar — awards season, a trade fair, a national holiday weekend.

Booking late does not usually get you a worse performer. It gets you fewer performers to choose between, which is a quieter way of ending up with the wrong one.

What late actually costs

  • The premium. Under seven days' notice a performer is rearranging their week, and the fee says so. Expect 25–50 per cent, and do not be offended by it.
  • Adaptation. Material tailored to your company or product needs rehearsal time that no longer exists.
  • The venue conversation. Requirements that arrive with the venue three days out get squeezed into someone's evening rather than planned.

If you are late anyway

Say so immediately and say it by phone. A late brief handled honestly — here is the date, here is the room, tell me what is genuinely available — books better than one dressed up as a considered process. The compressed version of our own intake is a single call, and speed at that point is the service.

Would you rather we did it?

Describe the event and we will apply this framework for you, with the reasoning written down and our fee quoted before any shortlist exists.