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A long candlelit table on a Capri terrace at dusk, guests standing and seated above the sea.
Media

The audience's face is the proof.

Every frame here was shot at a real placement, from inside the audience rather than from the wings. A performer's promotional shot is a claim; a guest's reaction is evidence.

Photography
A guest covering her mouth mid-laugh as a card is revealed across a candlelit dinner table.
A performer on stage seen from behind, facing a full ballroom of seated guests under chandeliers.
Guests at a candlelit table on a coastal terrace, laughing at a card held up in front of them.
A bride and her guests reacting to close-up magic during a wedding reception under festoon lights.
A rooftop reception at dusk above a city skyline, guests laughing as a card is shown.
A seated dinner on a Mediterranean terrace at dusk, guests turning towards a card held mid-air.
A placement, written up
A lakeside wedding table in golden light, a villa and mountains beyond.

Gala dinner · London · June 2026 · 400 guests

Four hundred guests, a running order that slipped by forty minutes, and a set that had to be cut live.

The brief
A charity gala with an auction of unpredictable length, and a twenty-minute stage slot immediately after it. The buyer had been let down the previous year by an act that ran to time regardless of the room.
What we recommended, and why
We recommended a performer with a demonstrated ability to cut a set live without it showing, over two technically stronger options who had never had to. The brief's real risk was the running order, not the material.
What happened
The auction overran by forty minutes. The set was cut to thirteen minutes on the night and finished on schedule. Recorded as observed in person; no incidents.

“He asked what time the auction was likely to actually finish, which nobody had ever asked us before.”

Placeholder NameHead of events, placeholder charityGala dinner, 400 guests · London, June 2026
Venues

Where we have worked

Each of these is a real engagement, with the work described. We do not list a venue we have not worked in.

  • A long table set with candles and white flowers on a Capri terrace before the guests arrive.

    Placeholder Hotel

    London

    Placeholder — replace with the real engagement

  • A lakeside wedding table in golden light, a villa and mountains beyond.

    Placeholder Estate

    Lake Como

    Placeholder — replace with the real engagement

  • A seated dinner on a Mediterranean terrace at dusk, guests turning towards a card held mid-air.

    Placeholder Club

    Milan

    Placeholder — replace with the real engagement

In the press

    Nothing published yet. When there is, it will be listed here with a link to the piece rather than a logo — a press mention you cannot read is decoration.

    Enquire

    Describe your event and we will recommend two or three performers, with the reasoning written down.

    Enquire

    Anything at all about your upcoming event — just ask.